Related Paintings of unknow artist :. | Portrait of Hira Singh,Favorite of the Sikh Leader Ranjit Singh | California landscape | Arab or Arabic people and life. Orientalism oil paintings 106 | St Andrew | Red Rose |
Related Artists:
Alexandre Seon
French Symbolist Painter, 1855-1917 was a French Symbolist artist, illustrator and decorator. Seon studied at the Beaux-Arts of Lyon and Paris, becoming a student of Puvis de Chavannes in 1891, with whom he later collaborated. He was closely associated with Josephin Peladan and his Salon de la Rose-Croix, and designed the frontispiece for Peladan's 1891 novel l'Androgyne
Wladyslaw slewinski
(1854-1918) was a Polish painter. He was a student of Gauguin's and a leading artist of the Young Poland movement. Władysław Ślewiski was a Polish painter. He administered his estate in Poland before traveling to Paris in 1888. Once there he studied at the Academie Colarossi where he met Gauguin. The impression this encounter made on him and Gauguin's encouragement prompted Slewinski to dedicate himself to art. He submitted to Gauguin's artistic and personal influence, spending time with him in Paris and, from 1889, in Pont-Aven and Le Pouldu in Brittany. Seascapes painted during this period include Cliffs in Brittany. In 1891 Gauguin painted a portrait of Slewinski and presented it to him. During this period Slewinski exhibited in Paris, with some success, both at the Salon des Independents in 1895 and 1896 and the Galerie Georges Thomas in 1897 and 1898.
Gaspare Landi
Italian, 1756-1830,was an Italian painter of the Neoclassic period, active in Rome and his native city of Piacenza. He is said to have been a fun-loving younth, but in 1781 he procured a subsidy to study painting in Rome from patron and distant relative, Marquis Giambattista Landi. At age 25, he moved to Rome to work under Domenico Corvi and Pompeo Battoni. He is considered a rival of Vincenzo Camuccini. Two of his pictures were once in the Pinacoteca at Parma, Diomedes and Ulysses bearing off the Palladium (1783) and the Marriage of Abraham and Sarah. Above one of the altars in the church of the Santa Casa at Loreto there is a later work by this Landi showing the Madonna addolorata. A major work is his large canvas representing the fainting of Christ as he struggles along over the road to Calvary weighted down by the burden of the Cross, Lo Spasimo for San Giovanni at Piacenza. It hung opposite Vincenzo Camuccini's Presentation. Landi became a member of the Accademia di San Luca of Rome in 1805, professor of the theory of painting in 1812, and president of the Academy in 1817. He was also made a Chevalier of the Order of the Iron Crown, of the Order of San Giuseppe, and of a Neapolitan order. About 1820 he returned to Piacenza, intending to remain there, but soon tired of the monotonous existence of a provincial town, and in 1824 reestablished himself at Rome. His last work was an Assumption and was placed in the church of San Francesco di Paola, at Naples. He returned to Piacenza in 1829, where he died.